Graduating from a master’s degree in art direction, I approach creation as a matter of framing, perception, and intention. My practice sits at the intersection of image-making and scenography, where space, light, and composition shape how a work is encountered rather than merely seen. I am particularly drawn to light, not as decoration, but as a structural tool that guides attention, reveals tension, and gives projects their emotional weight. For me, artistic direction is less about aesthetics than about clarity. It is the act of making a subject legible without simplifying it, of giving form to ideas that often remain abstract or uncomfortable. Through spatial design and visual storytelling, I aim to bring artistic projects forward, to place them in conditions where their meaning can surface and be confronted. My work uses art as a medium of exposure. Whether denouncing, questioning, or illuminating contemporary issues, I seek to create situations where current realities are not consumed passively but experienced. By shaping how a project occupies space and light, I aim to transform observation into awareness, and awareness into lasting impression.